Compare and Contrast of Two Poems Ariel Rose In comparing and contrasting William Blake's "The Tyger" and "The Lamb," there are many different aspects to consider. The format and identifying voice are similar. On the other hand, the theme and tone are almost exact opposites. Theme, imagery, and tone are used to compare each poem. In "The Lamb," a man is asking the lamb if he knows who his creator is. In a deeper meaning, the lamb is the symbol for Christ. The speaker says, "He is called by thy name, for he calls himself a Lamb." This is a reference to God and him creating the Lamb, or Christ. The speaker refers to the Lamb as being Christ when he says, "Gave thee such a tender voice, Making all the vales rejoice?"
Among the prominent poets of the 18th cent. were James , who wrote in (1726) of nature as it reflected the Newtonian concept of order and beauty, and Edward , whose (1742) combined melancholy and Christian apologetics. Anticipations of can be seen in the odes of William , the poems of Thomas Gray, and the Scots lyrics of Robert . The work of William , the first great romantic poet, began late in the 18th cent. Blake is unique: poet, artist, artisan, revolutionist, and visionary prophet.
Aware of Blake's visions, William Wordsworth commented, "There was no doubt that this poor man was mad, but there is something in the madness of this man which interests me more than the sanity of Lord Byron and Walter Scott." In a more deferential vein, writing in his A Short Biographical Dictionary of English Literature, John William Cousins wrote that Blake was "a truly pious and loving soul, neglected and misunderstood by the world, but appreciated by an elect few", who "led a cheerful and contented life of poverty illumined by visions and celestial inspirations.”
Blake was not active in any well-established political party. His poetry consistently embodies an attitude of rebellion against the abuse of class power as documented in David Erdman's large study Blake: Prophet Against Empire: A Poet's Interpretation of the History of His Own Times. Blake was both concerned about senseless wars of kingdoms, and the blighting effects of the industrial revolution. Much of his poetry recounts in symbolic allegory the effects of the French and American revolutions. Erdman claims that Blake was disillusioned with these revolutions, believing they had simply replaced monarchy with irresponsible mercantilism. Erdman also notes that Blake was deeply opposed to slavery, and believes that some poems of Blake read primarily as championing "free love" have had their anti-slavery implications short-changed. One of the more recent (and very short) studies of Blake, William Blake: Visionary Anarchist by Peter Marshall (1988), has classified Blake as one of the forerunners of modern anarchism, along with Blake's contemporary William Godwin. The British Marxist historian E.P. Thompson's last finished work was a study on William Blake, Witness Against the Beast: William Blake and the Moral Law (1993), and it shows how far Blake was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War.
FREE William Blake - The Lamb and the Tyger Essay
As a theological writer, Blake has a sense of human “fallenness”. S. Foster Damon has noted that for Blake the major impediments to a free love society were corrupt human nature, not merely the intolerance of society and the jealousy of men, but the inauthentic hypocritical nature of human communication. Thomas Wright's 1928 book Life of William Blake (entirely devoted to Blake's doctrine of free love) notes that Blake thinks marriage should in practice afford the joy of love, but notes that in reality it often does not, as a couple's knowledge of being chained often diminishes their joy. Pierre Berger also analyses Blake's early mythological poems such as Ahania as declaring marriage laws to be a consequence of the fallenness of humanity, as these are born from pride and jealousy.
The Poems of William Blake Essay Questions | GradeSaver
Among the most influential works on Blake have been an essay by poet (1920) and the books of (Fearful Symmetry: A Study of William Blake, 1947), David V. Erdman (Blake: Prophet Against Empire: A Poet’s Interpretation of the History of His Own Times, 1954), and Joseph Viscomi (Blake and the Idea of the Book, 1993). Blake’s appeal is now worldwide, and it is not just his poetry that has attracted international attention. There have been major exhibitions of Blake’s art in London (1927); Philadelphia (1939); London, Paris, Antwerp (Belg.), and Zürich (1947); Hamburg (1975); London (1978); New Haven (Conn., U.S.) and Toronto (1982–83); Tokyo (1990); Barcelona and Madrid (1996); and London and (2000–01). Blake has come to be regarded as a major poet, as one of the most fascinating British artists, as an original thinker, and as a of endless fascination.
The Lamb By William Blake Essays 1 - 30 Anti Essays
Blake claimed to experience visions throughout his life. They were often associated with beautiful religious themes and imagery, and therefore may have inspired him further with spiritual works and pursuits. Certainly, religious concepts and imagery figure centrally in Blake's works. God and Christianity constituted the intellectual centre of his writings, from which he drew inspiration. In addition, Blake believed that he was personally instructed and encouraged by Archangels to create his artistic works, which he claimed were actively read and enjoyed by those same Archangels. In a letter of condolence to William Hayley, dated 6 May 1800, four days after the death of Hayley's son, Blake writes: